Showing Records: 161 - 180 of 425
Hendrix [Concert] , 1967
Highly stylized typography in the genre of the San Francisco "flower children" posters of the same period. -- Source of annotation: Marvin or Ruth Sackner.
Homage to Throbbing Gristle / Rushmer, David., 1993
According to Rushmer, the poems in this book are conceived of as visual sounds. -- Source of annotation: Marvin or Ruth Sackner.
Hot Bird Mfg: S. No.9/Aug / Ben Yarmolinsky ; Paul Bowles., 1993
Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.
How We Met / Phillips, Tom; Eno, Brian., 1998
Lucy O'Brien interviews Phillips and Eno from the time that Tom taught Eno at Ipswich Aart School in 1964 through their artistic and musical relationship of the current times. -- Source of annotation: Marvin or Ruth Sackner.
ICA Bulletin. No.177/Jan / Themerson S ; Cage J ; Simonetti GE ; DeSa A., 1968
Identitaten II. (score model: sound and picture poeme) / Lille, Christer Hennix., 1968
il bacio / poesia visiva / Ori, Luciano., 1969
The poem features a music score by Robert Schumann with a couple kissing. -- Source of annotation: Marvin or Ruth Sackner.
Il Canto di un Giorno [Ernest H.] / Centazzo, Andrea ; Tosolini, Marco Maria., 1986
Imaginary Music / Johnson, Tom., 1978
This is the third printing of the book that was first published in 1974. Some of the scores have the appearance of concrete poetry except musical notes substitute for words. -- Source of annotation: Marvin or Ruth Sackner.
Immeasurable Distances: The Collected Essays / Mathews, Harry ; Carroll L ; Perec G ; Thomson V ; Metail M ; Queneau R ; Roussel R ; Calvino I., 1991
Contains an essay, "The Oulipo" that describes the Workshop of Potential Literature (Ouvoir de Litterature Potentielle) of which Georges Perec and Raymond Queneau were members. Mathews discusses his theory of algorithms for tracking down hidden meanings in texts, so that every word "becomes a banana peel."In one of three essays on Georges Perec, Mathews states that he reimagined and reinvented the act of writing itself..."His work is of one piece - the transcription of a rare intelligence and sensibility united in the crafty and straightforward attempt to refashion a world where nothing could be relied on by assembling and disassembling those things of the world that we call letters and words, poems and books." -- Source of annotation: Marvin or Ruth Sackner.
In Search of a Concrete Music / Schaeffer, Pierre ; Christine North, translator ; John Dack, translator., 2012
This is a translation from the French of the book published in 1952 nd purchased because one of the founders of concrete poetry, Oyvind Fahlstrom was influenced about it when writing his manifesto on concrete poetry. Concrete music deals with merging pre-existing sounds not produced by conventional musical instruments into a collage of new music. -- Source of annotation: Marvin or Ruth Sackner.
Irma: An Opera / Phillips, Tom., 2014
This is the complete score of Phillips' opera, "Irma." -- Source of annotation: Marvin or Ruth Sackner.
Irma / Phillips, Tom., 1985
This is the score for an Opera that was first published in 1969 as part of Revue Ou. It was then reprinted by Tetrad Press in 1972. This copy is a subsequent printing on better paper with slight touches of color, e.g., light yellow-brown background and greys in the images, printed circa 1985. The opera was first performed at the Ceolfrith Arts Association at the University of Newcastle in 1972. The work is made up entirely of fragments from A Human Document. The piece has been recorded on a 33 1/3 record and a compact disc and both these versions are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Irma / Phillips, Tom., 1972
This is the score for an Opera that was first published in 1969 as part of Revue Ou. It was then reprinted by Tetrad Press in 1972, the current copy. A subsequent printing on better paper with a touch of color, e.g., light yellow-brown background and greys in the image, was printed circa 1985. The opera was first performed at the Ceolfrith Arts Association at the University of Newcastle in 1972. The work is made up entirely of fragments from the book, A Human Document. The piece was recorded on a 33 1/3 record and a compact disc and both these versions are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Irma / Phillips, Tom; Nyman M; Bryars G., 1977
This card announces the film of the performance of Tom Phillips opera "Irma." The recto of the card depicts Humument imagery and Phillops' "small heads" in grid. The poem reads "look - a film not far from real - a brokem thread of my history. a photograph lyinbg upon a photograph." -- Source of annotation: Marvin or Ruth Sackner.
Irma / Tom Phillips; B Eno; G Bryars., 1978
Tom Phillips did the libretto and Gavin Bryars the music for this piece. On the verso of the jacket, Bryars explains how he composed the musical score. A portion of the libretto is also reprinted on the verso. Brian Eno produced the record. -- Source of annotation: Marvin or Ruth Sackner.